(Photo by Alessandro Imbriaco)
When Hudson Quinlan left town in late September, Jenisse was given use of part of his warehouse. It held his party store merchandise and was 8,000 square feet, not so big for a warehouse but not small, either. Hud owned this property outright. She suspected he’d used it for other business dealings, but she preferred to not think about it. He was her brother, eight years older. His reputation wasn’t one hundred percent stellar. He was a man of many skills and talents; she knew only a few. She didn’t think they were close but they had been as kids and she missed him more than she’d admit.
In the voice mail Hud indicated he’d be back eventually but in the meantime she could use it if she wanted. There was a key left in her glove box; he’d gotten in and out of her aged Pontiac without leaving a scratch.
Jenisse gave notice at her apartment building and moved into the westernmost quarter of the building. She’d been saving for months to find studio space she could rent to work on her painting. If Hud had said he’d be back in a couple months, she wouldn’t have bothered but “eventually” meant as long as a year. However long he wanted or needed to be gone. It wasn’t uncommon that he took off for parts unknown, sending an occasional postcard to her or their parents with alluring scenes of beaches, mountains, cities far away. They weren’t clear if it was business (he owned a big party supply store, a parking lot and, they thought, more) or pleasure, but Jennise knew it was both, ultimately. He attracted lively people and events without trying, and that meant good times and bad. Her brother trusted Jenisse enough to say his life was going well or less than well (never poorly, according to him), and held opportunities or was momentarily stalled. This time he’d said he needed inspiration so she assumed it was important. She might never know what. He didn’t talk shop around family.
Everybody said she was foolish. Hud was a man with some power and more money but his connections were less than commendable. They worried about her being alone. There could be thieves and rodents; Hud’s warehouse workers would come and go five days a week. She was told the industrial district was dirty, gritty, and frequented by petty criminals. Jenisse had visited the spot with Hud a couple times and over a few years the area’s commercial properties became valuable and condos started to go up nearby. Hud had made a savvy investment.
Her parents, unsurprisingly, came knocking on her door after she’d relayed her news. They loved Hud from arm’s length.
Her dad stormed in. “Why are you doing this? We could help you find studio space. You know Hudson and his associates! You don’t know who might show up. My vote: stay here!”
Her mother was out of breath from trying to keep up with him. “Jen. Really. No good. Will come of this. Stay put. You’ll regret this. So will we. Just think!”
Her parents, dancing beams of sunshine. Why couldn’t they give Hud a chance–and her more credit? They had two smart kids.
Jennise stood with arms crossed over her chest. “I’m half-packed already, as you can see. He’d never do this if he didn’t think I’d be fine there. He knew I’ve been scraping together the savings to get a studio space set up. I am going to work on my painting.”
“He’d have done better to just give you money! Now I have to worry about both of you?” He flexed his right hand as though he was getting ready for fight but it was old-fashioned parental nerves.
“Sorry, but I’ve been handed an opportunity I can’t turn down. I’ll invite you over for pizza sometime.”
So she moved. During the day Jennise worked at the art store, which gave her a break on art supplies. It was nothing she’d wanted to stick with but somehow she had been there for three years. She liked being with other artists, walking up and down the rows of paper, ink, paint, and a hundred other common and exotic tools of visual artistry. But it could get dull on slow days.
At night, though. Oh, at night, it was a far different story.
Jenisse had never had the right circumstances to support her creative vision. She’d always wanted to do big work, paintings six feet tall and wide. Maybe panels of paintings. Or constructed paintings, three dimensional. So she got busy making things happen that she’d only dreamed. Between seven and ten or eleven o’clock she painted. Some nights it was after midnight before the weight of sleepiness rolled over her. She’d turn on Arvo Part or Bill Evans or Gregorian chant–whatever suited her–and it ballooned in the space, adding to her energy, encouraging new calmness. Never had she felt so free of distraction, even when she heard forklifts and men shouting if they worked overtime. At night she ignored random noises and street people with their carts. But Jenisse wasn’t much bothered even when she got cold due to the space heaters barely keeping the chill at bay. Or hungry, since she often forgot to eat as she dabbed and layered, smoothed the colorful textures on each canvas that she had framed and stretched herself. Afterwards, a hot shower and bed, drifting off to the muted cacophony of night’s secret doings. She began to feel at home.
Her parents remained shocked, so they came over with a casserole or took her out to the new Thai place across the street. Her mother had the mistaken assumption that Jenisse needed her help to decorate. Two more lamps for the mammoth living area. A picture and scented candle for the rudimentary bathroom Hud had put in when he set aside an office space. For the cruder kitchen with its tiny stove, microwave and mini-frig and small sink, she brought rooster-adorned tea towels and a basket full of fruit. Jessine was grateful for the fruit.
If there were rats–her only real fear–they didn’t bother her. The workers left her alone. The foreman, whom she had met and was memorable for smooth skin and crooked nose, knocked on her door one morning.
“Doing alright by yourself?” He ground out a cigarette on the cement floor, then picked it up and thoughtfully tossed it outside. “Hud says to keep an eye on you.”
“Okay, all is well. Thanks. Have you heard from him?” She didn’t want to say she wondered where he was this time.
“Naw, you know he’ll show up as needed.” He turned to leave then swiveled around. “Let me know if you need anything.”
So Hud had made sure of her safety, just as she’d thought. She worked even longer, easier hours, her body moving from paint to canvas to paint with a blood-deep rhythm, the music on her stereo a chorus of encouragement.
By December, Jenisse had nine paintings lined up against the cinderblock wall, most of them as big as she had hoped, a few smaller and oddly delicate. She had loosened up; her landscapes had morphed into undulating swaths of color and motion. The small ones were of watery iamges. It had been taxing to develop a quality of light that had long been elusive but she saw it was beginning to emerge, paint illumined from within, rich hues vibrating. She took photos for her portfolio and posted them on her website, hopeful.
A couple co-workers she enjoyed were spontaneously invited over to see them. They stood with hands to chins.
“Gorgeous,” the guy said. “Really good stuff.”
“I didn’t know you did all this.” The woman looked around at the huge space. “I didn’t know you had all this!”
It was then, three weeks before Christmas, that Jenisse got the idea for a public showing of her work along with the other two. They would put a sign outside, post a few ads in weeklies, announce it at the store and online, and see if anyone came. A holiday art sale might bring in some appreciative persons–and they could mention the store to stir up interest in business.
Jenisse had worn her short fake fur coat for warmth with good black slacks and silvery sweater. She stationed herself with the others at the entrance. She’d cleaned up the area and set the paintings against the walls. Coffee carafes and cookies were at the ready. The lighting was great thanks to the foreman. Her parents were studying their work along with a few curious souls, a couple on their way to the next thing down the street. Some of the store’s staff were chatting amiably.
It was seven-thirty, a half hour into the show. Nothing had sold. The street was dead. Disappointment bubbled up even as she told herself it didn’t really matter, they made art for love, after all.
At seven-forty she could hear a low murmur with a few laughs, and then she saw them come down the street, some in twos and threes, some in larger groups. They were coming to the warehouse in elegant dresses and suits, high heels clicking on the street. To their little painting show. As the first woman passed through the door she smiled, tossing a mane of ebony back from her burnished face, then leaned in to Jenisse.
“Hud said this is just the beginning for you, darling, so let us in to see!”
Then she handed Jenisse a postcard with a picture of the lustrous Guggenheim Museum in Bilbao, Spain. Jenisse flipped it over to read. The name he called her was the one only he could use when they were kids.
“Merry Christmas, sister/artist Nissey! Get ready for a fabulous New Year! Later/love/Hud.”
(Photo prompt supplied by Patricia McNair.)
2 thoughts on “What Hud Did”
This is a wonderful story. I loved the reference to Arvo Part—Tabula Rasa is my favorite.
Great to know about more music lovers out there. I think about music often as I write–and listen to it daily, of course. I was a cellist for some years and a singer. I’m very happy you enjoyed the story!