It happens to me often and here it was again as we moved through the scenery. Beguilement.
Expansive views of the acreage of Asheville, North Carolina’s Biltmore Estate (built in 1895 and owned by the George Vanderbilt family known for their shipping and railroad empires) are majestic and bucolic. They thrill the eye, the sweeping views evocative of tranquil order, supported by nature and hidden human industry. I absorbed each vista with breathless anticipation of the next bend we would round. It wasn’t so much being impressed by the property as being impacted by the changing scenes. Each bigger picture was mesmerizing in breadth and scope. I could have looked and looked and never been satiated. Such plenitude of detail that at moments I could hardly absorb it all. Even withstand it. That’s just how it is for me. I’m certain it’s the same for others, especially those who have a passion to observe, to know more intimately what they see.
Not that it was overwhelming in a deleterious way. The copious beauty was varied and intense. There is something within me that, though filling up to overflowing expands further for more. I feel hunger for it all, want it imprinted within. And to partake of any wisdom moving beneath the robust and delicate scenes. For what my eyes see, ears hear–they teach me things. Our senses are gifts, conduits to greater understandings, not just of a moment but of complex universal designs. I follow my eye and instincts to discover an abundance of intrigue.
But I need to dismantle it a little. I take camera in hand and as all who love visual arts, focus on separate tableaus with their telltale clues, delights. Eye/mind/soul zero in on minute parts, look into shadows. Seek one cloud’s shape within greater configurations. Each piece is cohesive in its specificity, sometimes even more so than the extended view. They all have value; I am drawn in by a propulsive curiosity. I want to see well the exterior but also find an interior liveliness that is like a secret. It’s a treasure hunt for mind and senses. Any moment can harbor possibility and that is the real magnet that draws me. I can define an object before me , but what does it mean? How did/does it function in space and time? What matters or mattered about it within a garden, in a room, a life?
This is what attracts me in daily living: about everything. Put another way, what exists in this present can well hold my attention, but what has captivating potential–and everything does–is a series of magic doors I seek to open. If a glimpse offers a story, even a tiny one, I have been granted access to a journey that leads to challenges, a certain enchantment and most often, fulfillment. I can’t really lose. All of life is a story within another story within another, like Russian nesting dolls or better yet, a puzzle that is partially solved while added to over time.
I used to pretend being a reporter when I was a kid. I sat at a child-sized roll top desk with cubbyholes, took notes of various household and neighborhood goings on, filed them away in their slots and folders. Diaries to detail more thoughts and experiences were required. I wrote and produced plays with neighborhood buddies and tried in vain to charge admission. We attempted full make up and ragtag costumes and hung a sheet for a curtain. We had decent turnouts. And then there would be a brief song on the radio which evoked extemporaneous movements–lo, a dance unleashing its tale. There was always something to hear, see, smell, taste, touch–and to read! and a cohort to do things with!– that jogged an expressive impulse. Take the navy, wide brimmed hat with sheer white and pink flowers at the ribbon my mother made with her own hands. It settled onto her silvery hair. It had presence all its own as she wore it; it did things with her. Another story idea.
Let’s take dolls as inspiration. Owning some of the first Barbie dolls was a blast. I became stage manager and director of their adventures. I’d get the big square floor pillow–brown corduroy–and then cover a matchbox with a handkerchief for a couch or bed, bring in rocks, twigs and grass for a yard, sneak my mother’s fancy scarves to create exotic wardrobes and floor covering. The finishing touches were always changing but each mattered in that moment. (I know, it’s not PC these days to say I enjoyed playing with Barbie and gang. She did not do dishes and Ken did not mow lawns. It’d now likely be demoted to mere play therapy as well, sadly.) Barbie et al and I got all sorts of events going; those dolls unlocked ideas and enlarged experiences like crazy. They led lives with fine sensibilities but had a talent for spontaneous fun. Or I should say it seemed they did but I was the supposed director.
It took very little to have a good time. From seemingly nothing could come anything at all. A sunny spot by or even under the scarred baby grand piano was a world to be reckoned with, mine to develop and claim. A starry night and a blanket. A cozy camp out within evergreens.
The back yard, with its shade trees and pines and bushes made a great stage but so did various living rooms and bedrooms, a porch or park or back steps. I didn’t even have to make much up, though. Tall tales unfolded all around me as life was textured and colored with people, places, events. I was charmed and mystified by myriad scenes, found them dramatically provocative of ideas and emotions. There still might arise an urge to embroider it–seeing an abandoned plaid, overstuffed chair or a cafe umbrella shading a person at a table whose single booted foot and “talking” hand were seen. Something had already happened, was happening or was about to happen. And I wanted to know, even if I had to fill in the gaps.
This capacity for probing with problem solving–the urge to learn–is an attribute we all enjoy. It has been a powerful driving force in my everyday life. And because of this, I am never bored. Entertainment is within reach at any given time. There is endless mystery. I am duly humbled by how little I yet know and understand and experience a thrill from ongoing explorations. Even the momentary, least noteworthy ones. Or perhaps those are the best, at times.
It’s all in the details, that was what I was thinking on my power walk today. Walks are interrupted frequently as I pause to examine something. I spot a teal green gate at the side of a rambling house and above it is a heavily leafed branch; amber light is streaming through treetops. There is a soft splash, cat’s whiny meow, breath of wind. Leaves on trees shimmy, almost singing. How all this transfixes me… there is a sense of prescience. But of what? Of life happening and about to happen. Of intricate connections, from behemoth tree to blades of grass to wooden gate to all creatures to crown of sky and beyond and to this moment. I am flabbergasted by the wonder of it. It is an intimate place in which we live and learn.
I am not naive. I have not lived a breezy, protected life. Surely no one truly does, for so much of what we do and hope for is a grab bag, like it or not. The very beauty that we need to love can hurt beyond measure when we’re vulnerable or anguished. As a young teen I still recall a moment when I experienced the unbounded extraordinariness of just being alive yet also felt bereft. I stretched my arms around a favorite oak tree and wept. Later I wrote a poem, a terribly adolescent poem, and there is a line that’s stayed with me over 60 years: and yet beauty bites the bleeding heart. I loved so much and easily and still was rent by life’s bitter parts. As we each are.
But nothing is wasted in life; we experience it and let it go or keep it close, even recycle it sooner or later. We reinvent ourselves any way we can and need to do. It is our story to make happen. There is much to be unveiled as breath enters, nourishes microscopic cells, exits the miraculous lungs; while this fist sized muscle of heart beats its tireless rhythms for me. So I listen and watch, reach out, seek more. Wonder visits me like a loving old friend and we root out bits and clues, celebrate even when I get worn out and crabby. I do not want to be careless with the bounties offered, nor dismiss the grace of moments I am allowed to inhabit. Big picture or small, the scenes of life are ours to unveil.
My visit to the Biltmore Estate gave me a renewed appreciation of my life situation, the assortment of whims, choices, dreams and labors. I left with a more vivid view of settings and circumstances within which the Vanderbilts conducted parts of their lives. The estate might have fleshed out the family more with traces of their individuality, remnants of yearnings. (George man loved books, that was encouraging, and hopefully the women did, as well. ) A visible legacy other than only wealth, with signs of daily interactions, musings and matters of the heart that roiled, pacified and beguiled–those underpinning and perhaps secreted away from such power and industry. I have more investigating to undertake. But I couldn’t help but think of them traversing the stone steps, gliding across endless rooms, seeking solace or joy in the gardens as they spoke in hushed tones. Can we have Act 1 outlined and set up, please?
Then again, maybe I will move on to fleeting moments of lives being lived, scenarios created this very second. Wait, see how the summer light moves across the grass and street? All it takes is observation plus a dash of imagination, same as it did as a kid.