We’re off to luxuriate in blue skies and sunshine, leisurely days and evenings and a little exploration–much needed since Marc has been travelling a lot for work, as usual. We do still miss each other (even at this point in married life) after awhile! Plus, it’s his birthday present, not saying for which one, out of loving respect. 🙂 Hope you readers can create time to enjoy yourselves and loved ones, too. I’ll be back with more pictures and words by Wednesday or Friday, depending on timing (and perhaps how very relaxed I become on the trip…)
Then night’s dark environs curved a cave
about as I shut eyes and mind cruised
among a cornucopia of thoughts,
such a banquet that seemed not to
whet my appetite, so I let go and fell
in a wilderness of words, nets
of rapture and folly that caught me,
brave conspiracy of verbal happiness,
a wardrobe of syllables crafted for me
of dismal slags and daring surprise.
Such vocabulary leaving and arriving
hews deep, familiar pathways
to moments which manifest life
despite being paused–by age or health,
temporary material circumstance;
or that restlessness of worry,
all the hard prayers to high slung moons.
Every arc of words creates a visage
of love that recognizes me or not as yet
as I navigate waves of wakeful slumber.
These tricky acrobatics of curiosity,
capricious nouns holding forth, verbs astir,
a language of energy launching me toward
horizons colored with shining letters…
ah, may language of this small bestowed life not desert me.
May I attend and serve until the ending blesses.
And we shall leap, drift into rhapsodies of silence.
Scenario 1: A parent settles against a pillow propped on a bedroom wall next to his young son, now curved about the warm bulk of his father. Readied for a visit to a marvelous world, then sleep, dreamtime. A worn book is drawn from a jumbled pile on the nightstand and opened. The first well-thumbed page is gazed upon, soon given life as the father reads beginning paragraphs of a familiar, always beloved tales of the Berenstain Bears. They’re family tales of daily living. They include a small adventure with a moral that teaches three cubs a lesson or two about ordinary but challenging scenarios: a visit to the dreaded dentist, a not-so-predictable fishing trip, going to school even when you feel unpopular, or how to manage when mother or dad is sick and how to weather death of a pet or friend. It satisfies every time, these stories, and the boy drifts off after the very last lines which are recited by heart.
Scenario 2: The children lean into the firelight, shoulder-to-shoulder with adult family members. One with a deeply lined face and hardened hands and feet sits tall within the circle. She intones a saga of fears and hardships, of courage and perseverance, survival and joyful victory. It is one that has been handed down for generations, and encompasses spiritual beliefs of the tribe. The ways of community are also inscribed in that tale, the prohibitions, rituals, customs. There arrives humor along with pathos and emotions fill the room as each listens and gains something anew. And takes comfort in the gathering of so much love and learning.
Scenario 3: On a falling down stoop an older boy sits above younger children. He half-playacts a story of the mad one who once lived in the neighborhood. He crept through shadows by day and later roamed the blind darkness, stealing food and even garbage, stealing day and night dreams, stealing light from the moon and streetlamps, leaving a mess of bad energy. There was a gang of kids who found then lost and found again the shadow man. But they got together and took turns keeping food safe and at least one street light on. The dreams, they had to be made up, shared with each other but kept safe from the shadow man, kept for the future.
The story is for children who must trust and depend on each other. Adults are chancy. Kids, it is clear, can adapt, are strong, are fleet of foot and mind, gather hope. They laugh and shiver and huddle together.
Stories: we enter the world as a collaboration of new and old story, a fresh new suit to live in, then at long last leave it, letting go of its billowing hem and frayed seams. In between birth and death flesh and soul are torn and banged up, repaired and made anew with stories. Ours and others’. Why are stories so vital in our lives, both youthful and grown up?
They can make or break us with reassurances or new ideas or warnings of worse to come. They can change our individual courses, reinforce what we know, challenge a community’s accepted ways. And they inform us of where we come from and who we are expected to be–or how to be someone unlike the usual, acceptable child, woman or man. We absorb these things before we can read, take a lead in the storytelling. We may even learn it from birth, when we are named for someone the parents value or given creative names unlike any other. They have meaning, our origins, our names, the textured stories woven with others we are told. There are legends with which we are gifted by a country’s long history, by cultures, by family, by friends and lovers.
Do you recall the first stories you were given as a small child? Was it a prayer you memorized alongside a small poem? Perhaps a family tale whether inspiring or unnerving to carry forward. Or a tattered book handed down from siblings. Later there is ongoing table talk, random neighborhood chatter about this person or that, our own individual moments–they all comprise a framework within which to grow, struggle. Every day, circuits of shared language operate within larger story talk. Language provides form and function to feelings, defines hopes and beliefs, strengthens attitudes, disavows what is not acceptable, tallies the truth.
Whatever truth is. Isn’t truth what we are told and at some point what we learn to tell ourselves? Even that blur between truth and lie becomes part of being informed about life’s puzzles and signals as we accessed that lie somehow. It impacts how well we may or may not operate with the personhood developed.
It can be argued that storytelling creates one’s real life viewpoint, values, expectations. It may determine the trajectory of our lives, our personas as well as our authentic, at times guarded selves. We are shaped from an early age by what we hear and see, by what we gather into us. Our families teach us first, those who cared for us or did not.
I grew up with a mother who was, by any standard, moderately verbose. She said it was because she was Irish, was strongly pulled into life with its characters and events. I hung on every word. I just thought she was born a natural storyteller, but perhaps that was one and the same. Animated, emotionally reflective, expressive with her hands as well as language, she could make a walk to the grocery and back an anecdote that entertained.
She tucked me into bed with amazing (to me, a little girl in the city) stories about growing up on a farm, playing tough games of basketball in school, being best friends and then falling in love with my father as a teenager, making her way to college despite stiff odds because she was not going to be a farmer’s wife. She loved talking about her large extended family. It was as if they walked in and out, sharing their own entertaining monologues.
What I learned was that her family was resilient, affectionate, stubborn and a bit rough around the edges at times and could create something from nothing. And that pigs were smart but could be mean. That cleaning a barn was a thankless job and that fresh eggs were the tastiest despite hands being pecked often. That strangers might come to the back door looking for a handout of food if times were hard and be given what could be spared. That Gypsy infants had pierced ears but other children did not get to have them. That losing his good farm in the Depression did my Grandfather Kelly, whom I never met, right in.
I also heard that persistence and belief in one’s self could change a life. Being a strong and athletic girl was a good and fun thing to be. And that curiosity was a near-sacred thing, imagination a great tool but I must leaven both with common sense. Her words reflected a basic bedrock of hope even amid despair. Her life was a vivid series of stories within stories and it seemed bigger than regular life to me–but she said all lives were like that, astonishing.
My father was quiet, some might say so introspective that he was silent much of the time. But his eyes spoke to me: thrilled, sad, angry, bemused, proud, amused, worried. A look from those large light blue eyes took the place of fifty fancy words. His fine grasp of language at home was used when he felt the words would add interest to a topic but felt my mother was better at elucidating matters. Yet I had heard him speak to large audiences when he conducted musical groups, for church affairs, in classrooms, at conferences, for public occasions–and his way with words was succinct while humorous and also wise. He was a born public speaker. He loved a good joke. He taught me pacing, ways to capture attention with that smooth delivery. People listened deeply to what he said, yet he spoke with a humble elegance that struck me each time.
But he also taught me about praying and faith. That riding a good bike well taught me balance and gave me strength, joy and a practical means to various ends. He taught me that learning world history provided a structure for the present and future, even mine. And any sort of travel meant opening a door to surprises that illuminated life in big or small ways. His many actions and fewer words instilled in me the idea that anything can be fixed as solutions abound; that civility is a valuable thing; and I am responsible for my actions. That music was God’s mouth. He told most of his stories, though, by conducting, teaching and arranging music, and by playing musical instruments. Best of all for me, he would play piano for fun, the notes nuanced and light and I would sing jazz standards beside him, his voice chiming in here and there.
Storytelling was a given in my life. It is for most people, no matter time or place. But sometimes one’s story seems not so easy a thing to tell, much less embrace.
When starting out as a mental health and addictions clinician I was given an opportunity to teach–more guidance with teaching tossed in–addicted, high risk, gang-affiliated or -affected youth. One of my duties was to help the actual teacher at the alternative school classroom in the residential treatment center. I tutored and engaged them in various activities as well as planned and facilitated field trips (including ballet and opera, which most even enjoyed). But what I longed to do was enable creative writing experiences. So I did.
Each day young men and women took their places at tables, bored and slouchy, irritated with one more class– writing, at that. My only objective two times a week was to encourage them to put a few words down on paper, then a few more until it might grow to a page full of phrases. Daydreams and feelings welcomed. I wasn’t correcting grammar, spelling, syntax–this was not my interest. The kids were asked to reach in and seize their complicated or simple stories and put them into a form that clarified things for them.
When traditional prompts of opening sentences or magazine photos provoked less than I had hoped, I sought aid beyond the usual box. I couldn’t fill up a whole 45 minutes with my own voice; they wouldn’t put up with that, either. One day I decided to bring in the facility’s “boom box”. I asked them to choose music to play as long as it didn’t center on drug use or violence–a hard thing for them. Then they were to write whatever came into their heads. What they wrote was still bombastic and violent, a loose stream of consciousness. Still, anything was a good start. It was the early nineties so I suggested they put those fragments into a rap of their own. It was poetry class that day in my mind, and in theirs it was a chance to voice their mind’s contents in ways the felt more comfortable.
After they were done–they all seemed to scribble down something–most were hesitant, masking it as usual as toughness and boredom. I picked a guy who had musical talent and he stood up and gave a short intense performance. The group hooted and tried to hurl insults but they responded rather than show their stoniest faces. They relaxed then better participated. Their offerings were vividly descriptive, at times bloody and bitter but each piece was a true creation of what they felt, saw, heard in their lives. Some may have exaggerated–they had to be as “bad” as the others– but the context was honest, feelings raw.
I had to be careful to not start a firestorm of emotion, to be calm and firm. Unafraid of what they wrote. “Just tell it like it is, tell your own story,” I encouraged each time, “no one is getting judged or graded.” As they worked away I stood nearby, answered a few questions, then sat at back of the room as they spoke aloud their words. Haltingly at first, then more expressively as time wore on. And if someone skipped saying parts aloud, that was alright for the moment. It was for their benefit, not mine, I assured them. They were at last engaging in story making and telling.
I tried other routes. I might choose a word or a pair that seemed opposites then put them on the chalkboard. Ask them what song they’d choose to sum up their day and then write additional verses. Or suggest they share what their mothers were like or what their fathers advised them. Or what it was to live on the street, need the next heroin fix, steal for alcohol and drugs or food–but all on their terms. Incomplete sentences was okay. Single words listed one after the other was fine. A rap song of their wars or their loves, the bullets dodged, a knife fight they survived. I asked them to put an object they cared about on the table, write about why they kept it close. A picture of family could free more words than anything despite their running away or being sent away.
It wasn’t fast or easy. But they knew I wouldn’t back down, either. They resisted, they argued, they refused to do much some days. I read them prose and poetry they occasionally liked, sometimes dismissed, also found stupid. I brought in books they might read. I played recordings of poetry slam poets that they enjoyed. And I told a few stories of my own life, not too much but just enough that they knew I wasn’t really Miss Junior League, after all. And I admitted I was a writer.
They didn’t give up on me and the class nor I, on them.
Sometimes a braver kid would lead the way and other times a quieter one would show boldness. But soon I was being regaled with portraits of these youth. Fragmented, harsh, filled with hurt that gnawed at them and too often a lack of hope for better days. They were stories of daily adaptability, of survival, of some good intentions if even they may have failed. One of the most important subjects they wrote of was their mothers. And younger siblings. They said they would die for them, period; death was not the worst they could imagine. But they tried to stay alive for them, anyway, despite a precarious existence.
Some were good writers, a few talented. But they all offered stories that moved me. Helped me think more deeply about who they were. Made me better understand various culture clashes. There were rival gang members sitting near one another, writing poetry or memoir. Most of them began to channel aggressions and pain more effectively–not as often shouting abuse or talking over everyone else or starting a senseless, black-out fight during which police would be called.
Their stories were imbued with greatness: their intimate voices, given some power and heard a better. They began to see writing as a tool to map the landscape of their lives and sussed out some of the whys of what they felt and thought, a dawning of insight and accomplishment. Over time, youths slid up to me after class and said, “I get it now (a feeling, problem, desire, loss) a lot better. I couldn’t figure out how to explain it. Or I was too freaked out to say it out loud.” In that way, aspects of who they were became parts they could examine and feel, then piece together. This was no small feat for kids whose operative mode was a rage brewed from self-hate. Some decided to keep writing after classes. They had found an outlet, a way to frame their past and present with words. Ideas and possibilities. No one told me the class was worthless. And later in their rooms or in the hallways when some of the kids got obstreperous or combative, I would tell them: “Go write it down.” And more and more often, they chose to do that.
What did they learn about themselves by writing and telling their own stories? If nothing else, they more clearly identified from whom and where they had come and who they might be if not in gangs, on the street, in the drug house, in juvenile detention. There were moments of hope pushing between those fervid lines. They could say things that mattered. Their words were worth being heard. What I gained was deeper compassion. Patience. Greater faith in the creative process. Gratitude to be able to work with them for nearly five years.
I also worked with Native American women in another residential setting. The results were strikingly similar but powerful in different ways. Many of those women were also wives, mothers and grandmothers; their burdens were heavy with years of experiences. The prohibition against speaking the truth of their private lives was intense. To speak of traumatic things that had happened was physically taxing. Writing was hard, too. But when encouraged to share histories and dreams and fears orally in their own tongue first, sing their songs, dance, they began to speak. And weep. We always stretched and breathed deeply first to loosen the bones, to open the heart. We even danced our own simple line dances, snaking down hallways of the institution. And they began to smile, to even laugh, and to not often cry as if they could not stop. They embraced each other despite having held enmity toward one another due to multi-generational grudges between tribes, or certain members, even relatives. By speaking their truth, they came nearer the next steps needed to rebuild and share their lives. When they went from whispering with eyes downcast to raising arms, stamping feet and shouting out joy, I knew they’d begun to help save themselves with more transformative stories. It was the good racket resultant of thawing out many “frozen” stories. They were reclaiming more of their lives from addictions.
The body holds its stories inside the skin, in heart and mind. Sometimes excavating them is hard; sometimes they come as riding a river to freedom. Other times, in bits and spurts. But they’re waiting to come to light.
What stories do you tell your children, your friends, yourself? Are they true? That is, are they what you really mean? Do they offer something that is valued, that can mark you as who you are or want to become? Is your life story more submerged, floating along or making waves? You can help it speak richly and freely. Sharing your unique and so human story helps you and others live better. It connects one to the other.
My son and I were talking the other day about my lifelong urgent desire to know things, to root out and hold close authenticity in this life. That this is the writer’s way. He immediately understood what I meant. Since he writes songs and loves to orally share stories, I suggested he write them down more often.
“Mom, that’s for you to do and that’s good. I am the story–I’m right here living mine,” he said, then put an arm about my shoulders as he barbecued under tall evergreens in his yard.
That’s what we all do, every day: inhabiting the story we make anew each day. Share yours, won’t you? See what happens.
He didn’t like to take “no” for an answer if there was any hope, at all, so he went back again. He had passed the house once only and it struck him as a beacon in the dark. It was large, had a good veranda, was painted a stone grey, and he could see a portico at a side entrance. More importantly, in the parallel yard nestled by a back fence was a smaller dwelling painted a Wedgwood blue that needed a touch-up. A hand lettered “For Rent” sign was hung haphazardly by twine on its doorknob. It compelled him to stop and ask about it.
Jim Jameson, as tall as they came in those parts, swung open the door, leaned down to study the stranger to take in Van’s interest in renting the tiny cottage and said, “No. Not for rent right now.”
“But there’s a sign on the door announcing it’s for rent.”
“That was last week. I changed my mind. ”
And with that Mr. Jameson took the steps two at a time, huffed and strode over to the dwelling and yanked off the sign. He put it face down on the ground, scowled at the younger man who’d followed him and barked, “I’ve changed my mind. A man can be of two minds and oscillate, can’t he? Today, it is certainly not for rent. So excuse me, I’ll say good day now and good luck.”
Van wandered after that, thinking things over. He hadn’t been back to Chesterfield since he’d left Chesterfield College his second year. He’d never expected to return. But life did turnabouts in ways that baffled him. His old father died so the family business, Warrington Jewelry, Ltd., met its own untimely end. He’d grudgingly worked for him fifteen years, ever since Walt Warrington was unwell with a worsening heart. There were not more appealing options then and his mother had passed several years earlier, so it was up to him. They had long dealt in vintage items, fine jewelry; they’d managed well enough, or so he thought, keeping a pleasant home and bills paid.
Van had little idea there were old debts stirring up secret dismay and stress in his father. Why had he waited until the end to tell him the truth? And Van worried extra college costs had further jeopardized the business–and to what end? By the time Van got the mess untangled and debts paid off, there was not so much left. Nothing enticing in the hometown, either. He had managed to keep a precious few thousand after all was addressed, so he took a needed break from the misery.
Although one might argue that Chesterfield was nothing much, either, it had two colleges, one for medical degrees (Health Sciences Junior College), the other for liberal arts. Van had attended the liberal arts college on a partial scholarship, thinking of teaching high school kids. He hadn’t quit due to poor grades or lack of interest, it was more complicated than that, enough that he’d given it up and re–entered the family business.
After all had been squared away and sold, even the family house, after two peaceful but lonely weeks camping in state parks he’d had a happier idea. What if he went back to where things were better, before they got worse? Chesterfield had inspired him once; it might again. So he’d driven five hours toward that wavering glimmer of possibility and started looking for a place of his own. And then things got weird.
Van got a cheap room night just three blocks away and decided after his odd encounter about the cottage to inquire about Jim Jameson at the Pub ‘n Grub.
“I was interested in renting the little place he’s got but he flat out turned me away. There was a large ‘For Rent’ sign.”
“Big Jim?” The bartender said, shaking his neat head of dark hair. “He’s something, isn’t he? Teaches economics and world history at Chesterfield College. Married a gal who had just graduated, an artist. We all liked his wife a lot. They came in Friday nights for burgers and fries, a couple beers.” He paused wiping down the counter to check out Van from beneath bushy eyebrows. “You’re new in town, right? Don’t know too many who aren’t anymore, what with yearly expanded college campuses.”
“Well,” Van said, “I am, but not entirely. I used to live here as one of those invading students long ago. Left after two years to work in the family business, though. Now I’m back for awhile, anyway. My father died so I’m looking for work again and a place.”
“Sorry to hear of your loss. The town has changed a bit, no doubt. More people, more work in some areas, less in others. What was the business you owned?”
“It ended with my father…we bought and sold good vintage jewelry.”
The bartender stuck out his hand and Van took it. “I’m Bart Tilley, by the by. Been here since before you came around the first time. Don’t believe I knew you then but now we’re acquainted.” He pushed another beer over. “On me this time, then it’s yours to pay.”
“Thanks, Van Warrington here. I lived in the dorms on the other side of town. Hoped to be a teacher; had a dream back then. So what can you tell me about that rental property situation?”
Bart lifted a finger to indicate Van should hold the thought while he waited on more customers. The place was filling up; it was after eight. Van was suddenly exhausted from the drive, from looking for housing he could afford, from a few surges of muted grief which he could not quite name as such. Only a marrow deep weariness was recognized. He was on the verge of change, he felt it, but nothing good had happened yet.
Bart slid back and inclined his head close to Van’s. “She died, his wife, ovarian cancer. Big Jim has not been himself for awhile now. Gotten surly. He often decides to rent the place and then just as fast to un-rent it. You may as well look elsewhere. You seem like a good guy. I’ll ask around. But it was her studio, she was a potter. Good stuff. Sad story. Hey, by the way, there’s a new, hip jeweler taking over Dundee’s Diamonds and Gold downtown. In the big green building, just stop by, see if they need your expertise.”
Bart left him with that news as he got too busy to return. But he looked over his shoulder and frowned, rubbed his bristly jaw when Van was looking across the bar, mulling his own thoughts over.
Well, Van thought, that poor guy, no wonder. He went to his motel room. As he lay with hands tucked behind his head late into the noisy night, he mused, Jewelry appraisal, buying, selling–is that what I’ll have to do again? And then: Bart is alright, he seems solid, I’ll go back sometime and see what he’s heard–if he meant it.
But the next morning he returned to Big Jim’s house. He loved that part of town and imagined the rent more than workable for such a small abode.
Big Jim opened the door, looked Van up and down, shook his head sadly then closed it. Van remained on the veranda, turned toward the wide tree-lined street and looked over graceful lawns upon which stood old, well kept two-story houses. They had called this “Professor Row” in contrast to “Student Row” streets. He had sometimes ridden over on his bike, gawked at the pretty houses and dreamed of making it there, himself, in ten years. Ten years that had slipped away.
The door partly opened once more. “Why are you still here? I have a class in a half hour, I don’t have time to shoo you away every five minutes.” He hunched his thin shoulders as if he was too defeated to stand up and appear otherwise. “I don’t think I can rent it, it’s that simple. So for now, no deal.”
“Yes, I get it, Bart told me it was your…wife’s studio. I’m sorry she passed.” Big Jim only looked over Van’s head into the distance a wistful moment. “I love its appearance. I like this street. I need a place that is affordable and have money in the bank and can find work as a jeweler. Or something.”
“Right, a jeweler, that’s what I need here. If you’d said landscape maintenance person I might consider it a moment.” He gestured around the overgrown yard, flowers blooming out of control, rows of hedges in grave need of pruning. “But I don’t plan to lease it just yet. As already noted.”
“So you know, I can do that, too. My father had an imposing yard in Pineville and worsening ill health. I helped at home, the business he had. He died last fall.”
“I see.” Big Jim came outside, let the screen door bang, its whiny hinges scraping the still air.
Am I playing on his sympathies? Van wondered. But what I say is true. He was surprised when Big Jim gestured toward two dark blue painted wicker chairs nearby. He took a seat after his host did.
“Thanks for taking time to talk. I sure would appreciate this place, I have to get settled somewhere soon.”
“It’s not a proper house but part getaway and more a serious potter’s studio…a kitchenette, a tiny alcove for a couch or mattress…” He deflated more as his voice trailed off.
“I get that–not wanting others to live in it. Must be hard to see it there every day.”
“It was her refuge as well as work space, you see. I think she was happiest there. Married thirteen years, all we had. She got sick four years ago, died two years later. I just ignored the studio until recently.” He stopped himself, sat up and turned toward the congenial, pleasant looking man, perhaps the earlier end of middle age. “Well. And your name again?”
“Van Warrington. I studied education at Chesterfield College for a couple years, fifteen years ago. Then had to leave. But I understand that you don’t want to let anyone use the cottage, so I may as well move on and–”
“Cottage. That’s what she called it, her Potter’s Cottage, all six hundred twenty-four square feet of it. Look, Van Warrington, I have to go teach a blasted class now but stop by tomorrow and we’ll talk a bit more if you like.”
They said a hasty farewell and each went his own way. Van felt a stirring of hope. He wondered what sort of pottery she had made. He still wondered if the cottage might be rented in good time, and for how much. He went back to the motel, sat on his bed for awhile, trying to shake off drowsiness. He picked up his camera, put a few resumes in his backpack, then walked toward Stone River so he might follow its meander through soothing greens and floral cheer of Chesterfield. Maybe he’d stop by that jewelry store. Maybe not.
Jim Jameson found his way to the studio as he did each morning sleep eluded him before dawn arrived. He glanced at the kiln outdoors, then unlocked the door and pocketed the key for safety , patted it inside the fabric as if it were an amulet. There was the still clay-coated potter’s wheel to right of the door. She liked to keep windows and door propped wide open in good weather as she worked, to encourage a fresh breeze. To move and out to think and use the kiln. There was the salvaged farmer’s double sink with cracked muddy splotches, and bags of clay lined up along the west wall. Cupboards hung above containing supplies of various sorts–he knew so little of it. On the east side were many shelves with last finished pieces crowding each other, bowls, mugs, plates, trays– and small free form sculptures not meant to resemble anything so much as a sensuous curve of a hill or a waterfall in mountains. It was the glazes that set them off, glossy or matte vibrant autumnal tones she loved, and natural textures she created.
“Used to create,” he said in the dusty stillness, and took all in as long as he could stand it, not going near the day bed where she used to sometimes fall asleep and remain all night. More often than he’d wished. The worn coverlet with vines on rusty colored and quilted fabric was where it was when she died, the pillow scrunched up as she’d liked it.
But would she want it this way forever? Like a memorial to a life she once led but left behind? And without any serious complaint, he had to agree.
Jim blinked bloodshot eyes to dispel their dampness, shut the door softly, locked it and went into his house to make coffee. He took a stack of papers to grade into his study as he waited for Van Warrington to arrive.
When Van came and accepted the offer to enter the house, it was as if he remembered something, but he didn’t know what it might be. There was a familiarity about it but then, many of the houses were like this one and he had been in quite a few over those two years. Parties, a few suppers with profs’, study sessions at profs’, visiting friends who had snagged a shabbier version of such a house to share with five others. It could be the evocation of a time he lived, is all.
He followed Big Jim into the study. The walls were made of books and the scatter rug was a large old Persian. The light was dim, the room warm. It was early and too humid. The clouds outside regrouped, gathered more steam for rain.
They sat on the velvety burgundy sofa. On the coffee table was just that–a carafe of coffee next to cream and sugar in cut glass bowl and pitcher. Jim poured one mug then a second for Van.
“So, I’m wondering just why I’m here,” Van said when silence settled between them a moment. He could hear a grandfather clock ticking, looked for but saw none.
“I thought I’d tell you more before you further considered how much you may desire to live there.”
“Alright. I guess.” The cottage was partly visible from the side bay window. Van wanted to see the inside but willed himself to be patient then drank the strong coffee.
“We built it right soon after we married because she decided to make art, not teach it–though she did teach a few workshops each year. It was easy to agree to anything she wanted. She was younger than I by nine years and had a laugh like gently falling water… and a smile that snared everyone who saw her. She had the kind of beauty that caught you off guard not because it was dazzling but because it was quietly unassuming, natural but unmistakable. Sweet and a tad zany at once.”
Van drank more, uncrossed his ankles. He felt embarrassed by the details shared. Was the professor going to wax on and on about his deceased wife? He should be kinder; Van was sure the woman was lovely and very talented. But he wasn’t a grief counselor, not even this man’s friend. He had his own sadness to sort out. Was this woman’s essence never going to let go of the man? It hovered about him, a cloak of sweet sorrow.
Van understood how that could feel. But Van didn’t speak of it, at least not to strangers.
Big Jim went on. “She had such a knack for pottery–she fully discovered it after she got her B.A.– that it was only a matter of time before she sold them at art fairs, then galleries were interested. She began to make money at it. But mostly she loved what she did. I was never creative. I’m a man of strict numbers and political pondering, neither of which interested her much. I don’t create a thing but decent meals.” He scanned his bookshelves as of there was something there he must recall. “But she was so vibrant, she shook me up. I wasn’t a fool; I knew she needed the security I offered her so she could be a potter. I didn’t care. Just to be near her, to know she was out there every day, would be here most of the time when I returned from work….” He covered his eyes with a large hand. “I will not marry again.”
Van felt a sharp twinge. He knew some of what Jim spoke about. But he had to move on, learn about the cottage availability.
“It must be wonderful to have such a marriage, Jim. And I’m truly sorry she got sick/ And died. I suspect you’re right–this is not the right time for you to rent it out. I appreciate your telling me how important it is to keep as it was. I couldn’t live there. honestly, knowing how you feel. I hope you’ll excuse my bothering you.”
He was feeling short of breath, as if the room was hotter and smaller than it was and he was taking up too much air and room by by sitting there. It was a little creepy listening to such longing, as if he was overhearing a confession of something more intimate or complicated but he didn’t know what. He began to stand up.
“Still, she’s want me to share her cottage with the right person. I feel Lily would like you.”
Van sank to the chair. Tiny hairs on the back of Van’s neck stood up. He felt vaguely nauseous. “What did you say her name was?”
Big Jim unfolded his clasped hands and gestured toward the cottage as if she was out there waiting for them to decide what was next. “Lily. Lily Hunter Jameson.” He stood and looked out the window. “My dear wife for far too short a time.”
Van had to leave the room. He wanted to crawl out on hands and knees, he felt weak and unable to stop the spinning of his mind, the unreal sense of everything there. Lily Hunter! The bright young woman he had fallen in love with the moment he had met her in freshman composition. The woman he’d wanted to be with the rest of his natural born days. The woman who loved him right back with her stirring spirit and searching mind, her resonant body like an instrument made of fantastic music–as if she had waited only and ever for him and could never let him go.
Except she did. Back in college she in fact was falling for someone else, she confessed so one spring day after they picnicked in the riverside park. Someone more established and secure in life. She had to be an artist–he surely could understand that, couldn’t he? And the man knew exactly what she needed whereas Van, truth be told, sometimes needed too much, gave more than she could easily handle. She need energy left to create.
He never knew who it was but now he was staring at the back of a very tall, thin man, an accomplished, kindly man who so loved her still. A man more secure and well off. A man who adored her from afar as long as she had lived.
Van left the room as swiftly as he could, as if he was being run out, without a backward glance, tripping down the steps of the lovely veranda, past the cottage he would never look at again. He started up his car and drove to Stone River, then got out. Such an ache that dug into his center. How could this have happened? Was she not done hurting him, chasing him after death, mocking him after all these years? Or had Big Jim Jameson figured out who he was? No, that would be too uncanny and cruel…
“Get a hold of yourself, Van!” he said aloud as the river swept by. Let it go.
“”Yeah, man, come on, it’s just a place to rent that you need,” Bart said as he lightly punched him on the shoulder.
“Hey Bart–what are you doing here?” Van threw a rock into the muddy current.
“You look pale as a…oh, wait, you’ve been talking to Big Jim about his haunted cottage. Listen, I tried to tell you–nice guy, but kinda nuts these days. Pay him no mind. I have a place for you, it’ll be fine.”
“What? Just like that?”
“I’ve lived here fifty eight years. I know things.” his glance slid over Van. “Like who you are.”
Van felt a strong need to move away from Bart or to push him. This town–he had thought this could be a good move.
“Wait, Van, I knew Lily a long time, too. She used to come into the bar and cry on my shoulder. Everyone does, right? It’s my job. But, yeah, she came in after she married Big Jim and drank a little much and finally told me how she’d ended up with the wrong man but it was too late for her and Van…how much she loved you, that she lost you. But I don’t think her husband ever knew the truth. She had to carry on with her life, didn’t she? A really good potter, a finer woman. My friend, glad to say. I miss her–she was a lively gal when she wasn’t swimming in regrets.”
Van gave Bart a hard look then turned away. He was ready to wake up from the unnerving dream he was stuck in. All he had to do was concentrate on the three dimensional world. He took in the trees’ lush greenery, the polished picnic table, three children laughing at river’s edge with their father. He listened to his heartbeat against his ribs, just beyond his shirt, ba-duh, ba-duh, ba-duh.
“I mean: Van. Your name is one you don’t forget! Old fashioned, kinda like Lily’s. I thought it was you when we met…and I had to say she did love you, buddy. She made a kind of mistake that couldn’t be undone easily so she was in it for life, she said, with Big Jim Jameson, a decent man. It just turned out it wasn’t for that long.”
As he steadied himself on a picnic table–newer, cleaner than the one he and Lily had used years ago–he slowly sat on the bench. Felt the strength leave him and run into the sky, river, ground.
Bart grabbed his arm. “Hey, take some slow deep breaths. It’s a lot, no need to rush into understanding it all. It’s a tough story.”
Van straightened up. Sucked fresh oxygen into his lungs. He felt better in a few minutes. But he felt half-undone. He jutted his chin into storm-prescient air. He was a man who knew how to make the best of things, wasn’t he?
“Yeah, a lot to take in. To think about later. It happened. But it’s over, done. The past can’t hurt us unless we invite it to do damage.” He felt Bart nodding agreement beside him. “Okay. I heard you say you have a room? If I stay, that is?”
“Oh, stay awhile. It’s a small bungalow on the west side. If you have cash and get yourself a job soon, it’s yours in two weeks. I own it so that’s a solid.”
Van felt like he had been taken too far back to make a victorious step forward. But hearing Bart give him new information made him recall his life was just a life like any other. There had been good breaks and bad, quirks and bad timing. Deeper pangs. But he believed better times were possible. It was his way and it was what made the best sense to him right now. That, and Lily loving him all along even as she cared for Big Jim. She was some woman.
(Over the years we’ve spent time in Oregon’s breathtaking high desert and ranch lands. Our state is nearly 45 percent desert despite having lush forests and much rain in the western part. We once stayed at Kah-nee-ta Lodge, a resort on the Warm Springs Indian Reservation and owned by Warm Spring Tribes. I felt a stranger in a strange land….but found it all compelling. Enjoy some photos of the area below. You will soon understand the expressions on our faces: true enchantment.)
Winds talk. Shape time. I listen to
stories riding on brittle air,
Native, Caucasian, Hispanic
tales woven and split apart like
strands of rope, bracelets
of bright, hard beads,
rawhide twisted and turned.
I am silenced, prepare for
discovery, too much I do not know.
Those old, old voices mumble,
whisper and entreat. They shear
rock and sand, insistent,
striated with memory of blood
coursing, blood spilling.
A woman like me can be entranced
so slips through mirages, spirits,
springs for healing, treacherous passes.
A landscape erupting with grief.
Desire. Power. Peace.
Raw beauty is strong,
burrows deep in dreaming,
hallowed and dangerous like a charm.
The scents of heat in high desert:
harrowing and pungent so it stings
but brightens the senses. The mind.
Light on rocky buttes, in valleys–
so pure I pray as it bridges earth
to Crooked River, volcanic ridge to beyond.
Chase it, embrace the land’s heart,
magic of juniper, sagebrush,
common woolly sunflower.
Life recapitulating. Surviving.
An imperturbable demeanor comes from perfect patience. Quiet minds cannot be perplexed or frightened, but go on in fortune and misfortune at their own private pace like a clock during a thunderstorm.—Robert Louis Stevenson
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