At the edge of the piano bench, my feet dangling, I watch your hands fly across an orderly length of black and white keys. A whole story in sounds rolls over and through my smallness. Light filters though the living room windows and upon our arms and legs and faces. Your features are composed of sweetness and subtle strength. Full of the music. I am at ease, round with love for you. Music is added magic, creates a conduit that feeds me good things.
I am five years old but you, Marinell, my oldest sister, are eighteen. Grown up already. Our baby grand piano is a meeting place for the entire family but sometimes I get to claim a space by you, alone. Often I lie under the piano on taupe carpeting and lay my hands on the dark wood underside and the vibration fills me with pleasure. I see your feet work the brass pedals and sometimes sneak a hand there, a game of not getting caught by your shoe. I later try to play as you do, notes of intention and affection. The music comes out rough, unadorned.
When you play your cello, though, it is different for me as listener. I hide behind the big chair by the heat register. I already know this is an instrument I want to play–two sisters do so I will make the third. But your way with it sweeps me up in a storm of emotion that fills my insides too full. I cannot get enough of it even with a house full of string players.
The piano allows me to be closer to you. Observe. Sing along with my light voicing of notes. You don’t shush me, smile a little. When the songs are popular, not classical, I know some words. Sometimes the whole family finds its way around the piano. We sing in four part harmony. I have never known singing without harmony and find my place with a submerged melodic line. (At church we sing this way in a pew close to the pulpit and everyone turns to look at us: the Guenther family, singing as if in performance. It cannot be helped, this is our way.) You sing, too, but barely above piano’s voice, my offerings.
Your hands are an extension of who you are, capable, graceful, assured or so it seems. I see them type words fast and rhythmically as if it is just another musical instrument–around 120 words a minute I learn years later when you work for lawyers. Long fingers such a blur of energy. I try this myself, typing up a strange mess but when I slow down, each round letter key pressed slowly, it works though the small words mean less than what I want. But I most gravitate often to the roll top desk in the basement with its cubicles and drawers, pencils and paper, a hand me down that now fits just me.
I cannot keep up with you. You flit here and there on narrow feet and sometimes I pad after. You are somewhere “out there” so often. And you are already reaching some apex of typists and musicians without my knowing what this means. I hear it, see it, sense it. You even play softball well, running like a flash of wind. Then you are Homecoming Queen. What that means is that you are chosen as the special girl in your school. You doff a glittering crown and fancy dress and get to ride on a huge float around town, people waving and hollering. I am in awe of your beauty like the rest, how can one not be, a smile that dazzles, deep dimples, hazel eyes that hints at such depths and inner light?
You watch over me, youngest of your four siblings, like a parent ever aware of my presence, sometimes irritated with my frequent shadowing. I have come to expect you to be nearby even more than our mother despite your busy schedule. I wait near the doors of the house. Spy on you with boyfriends. Watch you get ready for school events or concerts. You work part time at a fine clothing store, manage to save money for several cashmere sweaters. I open your dresser drawer, smooth them carefully before I am caught and scolded.
When you leave for a faraway college on full music scholarship, I may not cry but it feels like weeping inside, as if you are pried from me. I have no way to follow. In two years when I spend time near you, it is utterly different. You marry unexpectedly, not to a good man. Are gone awhile, then back in town again for a couple of years. I still watch you, feel your glowing heart as your soft face is marred with worry. I try hard to avoid his reach, try to circle back to you. We are still sisters but apart; I miss you. Observe from afar, now wary, afraid. Then you pat my hand, put an arm around my shoulders, hug me briefly. You let me rummage through your velvet lined jewelry box, try on too-big rings with pretty stones and clip-on earrings that are like delicate flowers. I wait for the music to return. You are quieter than ever, surrounded by the family when you visit us. And then you move to Texas. Alone, for a new beginning, back to music, better work, better friends, our music professor uncle who helps you forge a different path.
Many years later after I’ve married too soon, perhaps as well, you generously open your door to me despite your busy life with family and everything else. Shelter is needed until my husband, children and I find a way to move out on our own. Two weeks becomes two months. You are rooted in Texas after marrying a musician/ computer guy, are raising two bright-eyed daughters who are as good and capable as you. You work in an office by day then play your cello for symphony, the opera, quartets and trios, and may be most at ease on stage. Your restless fingers have learned embroidery and crocheting for relaxation, the tidy beauty of it.
It is a hard time for me, not enough to stretch enough. A small, airless dwelling. A man who’s gone often, brings home too little money or patience. A man I yearn to be with but who has anger in his blood, words that hide or fall out in sudden fistfuls. Times of aching stitched together with dashes of wonder under a searing Texas sun. Rescuing my four year old daughter from fire ants and her own silence; terrified as when my toddler son jumps into the apartment pool, then dog paddling not drowning. I take a menial job scooping ice cream and at home I swim with the children through deep blue water, escaping heat of day and savoring cooling dark of evening. Our skin turns nearly brown as bark. I sing to them, tell stories, write terse surreal poetry that bruises me, wears out paper with dreams and secrets. You, sister, try to not weep, a finger pressed to your lips, when I at last tell you more of the truth. You bring food, alert the church during Christmas. It humiliates even as it nurtures. I long to deserve better.
By the summer, we say good bye. It feels again like a pulling apart from you. My family migrates back north to help with house building for my in-laws, one of whom is dying. And my husband and I try to fix fissures, span the canyons we cannot bound across, anymore. To rekindle passion, even tenderness that first brought my husband and me together. It is ice- and -storm-riven country, lonelier than ever despite other miracles of earth. We remain hungry for so much and it is not to be.
Time is bargained with, lived in and through. I embark on each day as if it is transport to purgatory or a glimpse of heaven. I write some and drink more; you send me cards with birds and flowers. I love my children more as they grow taller and I grow thinner. College calls me back to a way of thinking that can welcome opportunity.
The drumming of time moves us on and we jump to its demands.
You also make big changes, move to Seattle area while I marry again and live almost like a nomad with my second husband, going where each next promotion takes us. I find work a fine balm, writing a salvation, my children a beloved cause I would die for. For many years we were not often enough in touch–we let the space billow. I worked to survive; you lived a far better sort of life and that discrepancy was widening. But events conspire so that I at last move nearer to where you reside (as well as two other siblings). It is the place I have dreamed of since youth, having lived there for a time at nineteen: the great Pacific Northwest.
When I visit you and your new husband– your ever-quipping, old high school sweetheart, a pilot–in the redwood house on a slope of Cougar Mountain, I am struck by your laughter, its volume and frequency. You are different, softer but sunnier; I haven’t yet dissipated my somber ways, am still too thin. We wander from room to room. This house suits you despite shady, towering evergreens which make you sneeze. Contemporary, it sprawls with its many windows and a huge back yard that is half deck and pine needles, half pickle court (who has even heard of that?). Your bedroom has an attached spa room with sauna that I am invited to enjoy. The fire in the hearth warms us all.
The piano is in the formal living room and I again watch your lithe hands play as I sing old standards, rusty and embarrassed, happy to be making music with you. I no longer sing for anyone else but you nod at me, smile. I can never tell you what this means to me, but you know. Eventually you play your cello; you remain a consummate professional, paid with money and admiration. I am still moved. My own cello waits in its sealed case at home; I vow to play it more. But what could be envy is this loosening inside, a deep relief that we live close to one another.
We sit on the expansive deck, gab as we eat breakfast or lunch, sip iced teas. We hew out a trail through our thorny pasts, find one another again. I find myself laughing with you as if human life is brimming with goodness and feel more convinced it is so. I breathe tangy breezes, we putter about; there is such gratitude that you reap joy here. That I can witness it, a beautiful thing. That we have time to know one another more again, to cover lost ground.
Over the next twenty-some years we grow closer than I imagined. This, even though we have divergent philosophies on a few big topics, inhabit different lifestyles. I visit you often as is possible on the mountain; sometimes you visit my city. We take good walks, shop like goofy girlfriends, go to a few concerts, catch up on our separate events. Toss about ideas, build more camaraderie with our husbands. You are like a bright bird who has traversed faraway lands. I have been a few interesting places you’d never have found even with compass in hand. We talk of men past and present, how being women is a burden and a gift. We share news of family, gossip some, swap favorite books and films and music, tell each other interesting stories. Look out at all that greenness and clear light. Laugh.
You and I also share woundedness, scars that qualify us as at least minor warrior women, just two among so many warrior women. There is forgiveness of the past and easy retrieval of blessings. We offer hope when at times it seems stretched to its tearing point. We share similar health issues so call each other: “Hi Sis, one more crazy/tough/unexpected thing has happened. It’s always something, such is this life,” and can make light of such mortality as we commiserate.
We can request, “Pray for me (or this situation)” and know it will get done. We each recognize prayer as an indestructible raft that carries us through tamed and wild waters, that infuses us with peace and courage. We are as certain of God’s Presence in this life and our own selves as we are of love of our children or our healers, the arts and nature. We can find it in the resonance of colors like turquoise and iris, in a filigreed shadow cast across land, a common bird on the wing.
I can call you anytime and know you will answer that call; you know I will answer yours. This is how much I trust you and care, big sister. A lifetime of this. More than many get.
But now you are not here.
You called me nearly three years ago, right after Easter to tell me you were so happy to know that life–the soul’s life, our true life, as we said– is eternal. I heard the stark foretelling in your voice. You were going to leave. Two days later and you were in the hospital. A week later you were gone.
This is a very short history. I could add how you tended the flowers in the last house (one with few trees, more brilliant light): as if they were needing your protection and affection, as you offered all. How–though you spoke more frankly and emitted a heartier laugh as you got older–your voice was still shaped by that rich quietude that had drawn me even as a child. When you looked at me, you discerned much more. When you listened, you heard what was not spoken. When you reached out to me it was always just enough. I hope I was enough, too, for you. No longer a kid or only a sister by blood but a loving friend by happy choice.
Your birth date is coming up, early March during more unveiling of springtime. I suspect you are happily ever after as you thought you’d finally be. I feel the radiance of your smile and I know it’s so, Marinell. Save me a place on a phantom bench. One day I’ll be finding you again.
4 thoughts on “Play It Andante, Play It Allegro, Just Play On”
I feel as if I’ve just read a novel–a sad/happy/uplifting novel. You’ve word-painted a lovely tribute to your sister. An astounding piece. Thank you Cynthia. I agree with Derrick. It is melodic, and the melody, I think, will stay with me for awhile.
Dear Paul, I am so happy to “astound you” and am humbled by your willingness to return and read with such depth. Yes, Music is a magnificent language and language many sorts of music to me… and Marinell was/is exceptional in so many ways. My family means
so much to me. Thank you for taking time to comment.
Wonderful, melodic, tribute to a super sister. I liked the thought of you playing chicken under the piano
Thank you, thank you, Derrick. Yes, indeed, what a vantage point and place of adventures that hulking baby grand provided in many ways!