Friday’s Passing Fancy/Poem: December Gleanings

Photo by Cynthia Guenther Richardson

Breath is heat slipping over tender frost,
life leaning outward to inward as demure
roses pale and pines yet soar as spires;
bright leaves spent so soon are bejeweled.
This light is sparsely cast and laid
upon each day and place like prized
filigree wrought of another world,
or an extra skin for the darkening journey.

This heart flares with a blossoming of soul,
settles in for wintry dreams and musings,
snug inside a sojourner’s still-lithe flesh.
Mind catches up though trailing green, gold.
What stays alive is redesigned in December shadows;
we transform within its secret opalescence,
its sheer, still points like a canopy of safety.

Friday’s Quick Pick/Poem: Mount Tabor After Thanksgiving

 

Mt. Tabor hike 074
Photos © Cynthia Guenther Richardson 2017

So after all that other–the absent family,
the breathtaking near misses,
and such uncertainties carried in
the heart like burning sticks or
the mind with its curtain of denial
and, too, prayers resonant with gratitude–

we come for relief and climb the volcano,
sucking air between our teeth like
sustenance, visitor sunshine relieving
wintry chill, earth sheltering us
with no effort a day past the feasts.

We are kinetic with hope, trudging
and running and cycling, leaning
into drapery of pine branches and
the pendulum of no-time, a ticking
of joy rife inside life-pulsed veins.

No one curses or weeps beneath ancient trees
atop the long-sleeping cinder cone, once
so powerful it revised all contours of life.
We understand, have our own potent geology.
Each of us tethers our souls now fluent
with scarce purity, heart-mending moments,
exhilaration under wilder, sweeter skies.

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This Music of Joy Will Never End

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Interlochen Center for the Arts in Michigan; entrance area. This wishing well remains from my stays in the 1950s-60s but now is filled with earth and plants. I wanted to toss a coin in but glad it has stayed put. (All photos by this writer other than photos Marc took of me.)

(Please note there are captions for the many Interlochen pictures; just hover with your mouse over photo.)

The symphony of winds rushing and skipping through acres of broad leaf and conifer trees, lake water slapping then gliding along a strip of shore: these sounds long ago saturated my brain and blood. The sonic tableau is further enhanced with human-created instruments and voices. The musical phenomena in which nature and people collaborate gifted me with a series of wonderment. My times spent attending internationally renowned Interlochen Summer Arts Camp (overshadowing all other camps) remain potent points of grace arising from a crucible of trying times.

I stay the impulse to write of my beloved father, how he taught and conducted orchestras there in the richness of summer’s glow. I might tell a bit about my four older siblings who studied, practiced and performed on their own respective instruments–cello( my oldest sister; also me), clarinet, viola, flute, bassoon and more as they changed preferences. And a couple of them later became summer counselors for the younger campers. Oh, wait, my oldest daughter taught art there for two summers. But they have their own stories.

And I will not be writing at length regarding the illustrious history of Interlochen Center for the Arts, both an arts camp (established in 1928) and soon a boarding fine arts high school school, other than to say it has offered programs for aspiring artists from grades 3 to 12 who have come from around the world. The place has expanded since I attended to include a College of Creative Arts, as well.

I’m not very interested in cataloging triumphs or failures (for example, I won first chair in the cello section of orchestra one summer only to lose it to my still good friend and far better cellist, Susan). Nor teachers’ strengths or weaknesses; the stress of competing against talented kids from all over the world; cramped yet lovely rustic cabin life; the regimen of getting up at the crack of dawn and flopping into bed exhausted, too tired to gossip or plan hijinks. And when allowed breaks, the best thing was to sit lakeside and sip a soda or dash off a letter home. And visualize a future in the arts, that shining life of work and inner rewards–and perhaps outer.

It was, in truth, not a time so much of great youthful fun as it was strictly scheduled and enforced hours as each worked at perfecting one’s capabilities as a young artist who was engaged in performing and visual arts. In short, it was intensive summer school for kids with many talents, but conducted in the midst of beautiful forested acreage by a lake. And it was heavenly regardless of the toil that came with it. I was thirteen and fourteen then fifteen and by then “excellence above all”was a main credo. It was the family’s, as well, as music and striving were seemingly what was needed; it felt natural.

My fingers ached, even bled at times despite thick calluses formed; my shoulders muscles bunched and sometimes spasmed after hours of practice in small field stone “huts”, side windows opened to a pungent, damp breeze. Still, sweat rolled down back and chest in high summer, my cello sticking to the bare spots of skin that hugged it. At night, it cooled enough. As I walked dirt paths through a bluish-lavender twilight, my cello snug at my side, music still swirled about as I passed Interlochen Bowl, an open air stage full of performers. It was as if music and other mysterious energies moved the very atmosphere I breathed.  I felt, at times, as if I had walked through an opening to an idyllic garden of delights. Nothing was the same there as the outside world; all was finer, richer, sweeter. Tough but better. And at home I had plenty of creative engagement. This was just, well…Interlochen.

Perhaps as I finished voice lessons (hoping I’d have a chance to ace the audition for a musical theater production) I’d slip into the dark, musky backstage at Grunow Theater, spellbound as chameleon actors rehearsed. My small notebook would soon be full of messy notes for future reference…for something, I was certain. I learned more about the arc of storytelling, of drama’s effect when leavened with humor. And witnessed again the enchantment of imagination’s constructs. How I longed to tell such stories: a heavy velvet curtain swinging open, revealing a saga of human loving, toiling and dreaming. I started to consider playwriting more seriously, a leap from silliness I made up as a kid.

I also learned the basics of playing a full-sized harp, a resonant and wondrous thing, and thought for a couple of years that would become my instrument, it was so amazing to me and felt not so unnatural to play. In the end it was not. Frankly, it seemed too big to deal with as well as complicated to ever master.

I had taken some dance classes as all female children did back then, at least those who liked to jump about or impress their mothers. But I hadn’t had years of strenuous ballet study like the lithe dancers at Interlochen. Nonetheless, I visited the Dance Building often, in awe of flexible, strong girls who laced up their pointe slippers. It was a favorite place to take a break. I had secretly loved to dance almost as much as making music and writing. I just hadn’t had time with so many musical activities and other pursuits, and it was not encouraged by my parents. So, one summer I decided to take an elective for fun, a beginning modern dance class. My heart pounded as I prepared. Self-conscious in my snug black leotard and very pink tights, new ballet shoes so constricting. I longed to fling them off, run and leap. Maybe I was too athletically inclined to hope to dance there.

(Please click this time on circles for captions.)

The dance teacher whose name I’ve forgotten watched me as I perspired through exacting warm ups. The glimmering Green Lake was behind our building and there were so many windows that blessedly, swift gusts from open water helped cool the vast mirrored room and us. I worked as the piano accompanied our movements each class, and studied my teacher and the others. I was so afraid I’d be determined to be anything but even a beginning dancer, tossed out of class. But I was determined, kept at each difficult position or move and did learn. I felt exhilaration, discomfort, mystification, deep joy of the body being freed. I felt terribly strong, similar to when I ice skated, but dance was even more interesting.

It was such a relief to give myself to movement, to not have to talk or sing or play cello–just let my body lead me, teach me. And I waited to learn a real choreographed dance, an event I considered my true reward. In a week we were making something good, and I followed each instruction, melded with others.  Took my place with anticipation, made it past the run-throughs. In a short time, we would have a whole performance to offer.

The teacher beckoned to me at the end of a class. I felt breathless; was it good news or bad?

“How long have you been dancing?” she asked, her kind face betraying nothing.

“Oh, well.” I wasn’t sure what to say. If I told the truth, would she tell me I should not be there? “I had a few years of rhythmics classes as a kid, a little ballet…not so much.”

She put her hand lightly on my shoulder and sat me down.

“Do you want to dance? Is that why you took this class or to just have a lark?”

“Oh, I love dancing, it’s wonderful being in your class. I’m a music major, though.”

“I’m glad to hear it. Because you should dance more. You have such natural talent, I’m surprised you haven’t had training. In fact, I believe you could be a real dancer, make it a career eventually.”

“What?” I felt as though in a dream, the sort you must awaken from despite it being perfect.”But I’m already fifteen! I’d never be able to compete with other talented kids who’ve worked so hard–”

“But you could. You could go home and take dance lessons and work really hard, then study dance in college and do something good.” She smiled and gave me a quick hug. “I was like you, once. I followed my dream when it didn’t make sense. I began rigorous study in university and went on as a modern dancer, dancing all over the world. And I teach here. You have promise–modern dance suits you well. You dance from a very deep place. You should consider doing this, okay?”

I didn’t feel I could answer, as tears welled up. I nodded, smiling, and left.

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A view outside the Dance Building

Modern dancing that summer was the first time I’d fully discovered safety and exhilaration living within a body that had, as a child, endured years of sexual abuse. The first time someone had told me–beyond my figure skating (perhaps more a sport to me, not quite the art I longed for)–that I was acceptable physically, even valued in rarefied worlds defined by ideas and creative activity. Instead, my young being, my flesh and bones had long been burdened with self loathing and abandonment, the lurking, subterranean fear of vulnerability. Dancing that summer along with my teacher’s firm encouragement and appreciation sparked a change in self-perception, in my desire to do more than even survive capably, if possible. Or sometimes, stay alive. Just get by. The fine teacher never even knew it. Or maybe she suspected.

Although I did not become a dancer–there were other needs, trials and goals that took precedence–I yet do dance and experience relief and joy to do so.

There was much more to those summers than dancing, singing and acting (I got a decent part in “Pirates of Penzance”; sang in concerts), playing my cello and a little harp, and learning more writing skills. There was hanging out in the dusty, smelly art studios, watching others make curious objects. And I realized I wanted to explore visual arts more, as well. There was sitting in an audience in the open air Kresge Auditorium, not just performing. Being moved far beyond my ability to verbalize my feelings as great, music was performed. The greens-to-blues lake within audience view shimmered and soothed. And there was time spent getting closer to new friends, some kindred spirits with whom I kept in touch for years, and setting out on a sailboat upon undulating waves, and gathering around campfires. It was the singing trees and the breath of sky like a scarf about me; the taste of summered water; the pulsing light and tantalizing shadow upon the paths that led me to more discovery. I was at home in the world where art was being made by many, where I, too, was following my passion to create.

My times at Interlochen heralded healthier changes while strengthening my certainty that art can salvage lives, that a grand variety of arts created and shared is more fulfilling and exciting than anything else for many thousands. For me.  I saw this in many others, how they came needing more and emerged from the time spent with something new. As I once wrote in a poem, there hopefully comes for many that “deepening at the seams”, those stitched together places where this human life tugs and even rips apart our yearning selves. We can heal those tears of the soul. Praise the ongoing design and redesign of greater moments. For me the result is a life full of empowering magic, lived with good love, and I get to be part of a worldwide community that loves to conjure something fresh, remake what is known. If only there was even more time to grab hold and give it away, tenfold.

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I have endless gratitude for this way of living, within the vast terrains of heart, soul and mind, each day and found stories like gifts I get to mine and share.

Our Beautiful Vacation Continues: Old Mission Peninsula and Traverse City

MI trip, day 5, TC 030
All photographs by Cynthia Guenther Richardson copyright 2017

The next place on our Michigan trip is along Old Mission Peninsula. It is a countryside that romances. There are graceful hills, winding roads, vineyards and orchards, with glimpses of the East and West Bay, part of Lake Michigan. It carries travelers for 18 miles and in spots is only a mile across. The final destination are the tiny village of Old Mission and Mission Point Lighthouse. Since the road meanders above the surrounding coastline and farmland, the views of the water are superior. I admit I kept looking for mountains since I’m from Oregon, but the landscape was pleasingly peaceful.

MI trip, day 5, TC 007

Many people take this trip to enjoy wine tasting. Though we don’t drink, we enjoyed seeing the luscious grapes, getting glimpses of wineries/estates and were quite taken with tasting rooms, as pictured below. You’ll notice hops in on photo. I didn’t see the name of the vineyard associated, oddly; it must have been down another side road. It appears to have been a schoolhouse once upon a time; now the bell likely remains silenced due to lack of opportunity.

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The village of Old Mission was about missed but the general Store was a good place to browse. I was desperate for a fresh pack of AA batteries to take more photos. They had a couple left–and cost more than expected. But it was fun to look around and the sales persons were dressed to match the old-time theme. (I regret not asking to “snap” them now!)

Along the way we got out to better see the lovely Old Mission Congregational Church, built 1891. It is apparently popular for weddings and other events, and I can see why; it is an exceptional spot. We also noted down the road was a log-built replica of Old Mission Church/School, first erected in 1840.

MI trip, day 5, TC 069MI trip, day 5, TC 078

Then it was on to the Old Mission Point Lighthouse, built in 1870. It was a windy,  chilly day, brilliant with sunshine. The wooded trails were easy traversing for three or so miles. Not many were hiking, to our surprise; it was so peaceful with such quiet, colorful trees all about, birds trilling, black squirrels scampering. We also availed ourselves of more shoreline, where Marc searched for good rocks and I walked and took more photos. I love birch trees but found fewer than hoped, noting so many had fallen. Someone told me birch trees only live about 20-25 years and then they just fall to the ground. I was always in search of more on our trip!

Before we left we stopped by the original Hessler Log Home from 1854, all deconstructed and reassembled. A far simpler life but plenty of backbreaking labor each day! I don’t know if I could have lived that life successfully, as much as I am enamored of the outdoors and a country lifestyle. Those pioneer women and men were made of stronger stuff.

We headed toward Traverse City, on the way enjoying the country rolling by and the many beautiful old barns. Several so-called “Quilt Barns” are decorated with painted single quilt squares, chosen by barn owners for historical and personal significance. I managed to shoot only a couple in passing as we rambled along. But I’m certain quilt lovers can find these online, as this newer tradition is well known.

We were in a hurry to get to Traverse City due to rumbling stomachs and sun sinking lower hour by hour. The “TC” (as Michiganders calls it) area is the largest producer of tart cherries in the U.S. and it also generates primary income from tourism. Ski resorts are not far away (and many go cross country skiing (I tried the former many times and the latter once–fun but the latter quite hard work) and water sports, of course, are popular.

Before checking into our hotel there was still time to roam along waterfront of Grand Traverse Bay, where Lake Michigan begins to feel again like an ocean at moments, then the pedestrian friendly downtown. And we did eat very good, down-home food at Traverse City Pie Community (the meat and fruit pies are truly delicious; also sandwiches and soups and more); we dined there once more before trip’s end. Can you spot Charlie Chaplin dangling above a downtown portion of the 28 mile long Boardman River? Click on picture #5.

Well, TC is only 14 miles from Interlochen, the place I have been waiting to show you, but it is better to leave that more personal tale to another photo story. Until next week, happy First of November to you!

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An Up North Autumn: Lakes, Forests and Love

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West Bay, Lake Michigan. All photos by Cynthia Guenther Richardson 2017 (Photos not re-touched)

To any outsider and according to ordinary appearances, my husband, Marc, and I were going “back home” to Michigan for a week’s visit/vacation. That is, we were on the proverbial journey that leads to one’s old stomping grounds, a destination deemed “hometown” (seeming more a mirage than actuality). What I discovered anew is that my old home base (as well as my husband’s) was not where or what makes most sense at first glance. It should have been more obvious to us from the start; we did plan the trip together. And it is people whose presence means “home” as well as places. Both might be different from one’s original hometown.

Our main purpose for flying half the day (really entire day due to a six hour layover in Chicago) was to visit my elderly mother-in-law, my brother-in-law and his wife at a new home they now all share. Our second intention was to go on a “color tour,” i.e., to witness northern Michigan’s palette of autumnal forest hues. The drive from the Detroit airport was a wake-up call that clarified we were no longer in Oregon: hulking grey industrial complexes, drivers darting in and out of lanes without warning and blaring horns as if making a chase movie. The essential flatness, the geometry of everything. That cumulus cloud-laden sky tussling with windy rainfall. (Later, weather became, then remained weirdly balmy–why did I pack my fleeces? Oh, so-called Indian Summer was upon the state….) Here and there were scattered fall-bright trees among cityscapes and burdened highways. However, in time the city scenes were fewer as we neared our destination.

Their house was perhaps an hour and a half from the Detroit airport, and found set back from the tidy, tree-studded street, one nearly empty of any Sunday morning bustle as we glided toward the house with our rental car–a new Chevy Malibu, a fine “Motor City” auto industry-worthy sedan, I have to say. Marc had grown up in Flint and Lansing, cities other than the one we were visiting but we might have swung by his old homes if he’d wanted that. He did not mention it. So, we arrived to visit with his mother and brother. To share and discover what it meant for him–for us both.

Beth, my mother-in-law, is 89 years old; she is lovely despite worsening issues with eyesight and hearing, a slowness of gait. Her gentle face and searching eyes couple with the sharp inquisitiveness of a theological scholar (amateur but believe me, she knows the most arcane things) and longtime teacher, as well as traces of tension around eyes and mouth which stresses of life deposited. I find her smile beautiful and her laugh tender. But everyone has family history that is complicated; being human must mandate that to some degree. Visiting, I am more a semi-outsider looking in, only know parts of what makes the family tick so I observed. A pleasant occupation.

(You may need to click on some photos for captions.)

My husband embraced his only sibling, two years younger, and they began to catch up bit by bit. They’ve not been so close as I have with my four (now three) siblings; this visit was important. We found my sister-in-law yet unwell from a medical ordeal but we gabbed as we could. Beth was more the focal point. How endearing she could yet be–eloquent with such precise grammar, curious about people and events, opinions well delineated. Pleased as she could be to once more be with her older son and even me. To be able spend days and evenings with both her children held such import. It had been 6 years since we were all face-to-face. Too long. The three days zoomed by. My husband and his brother became more reconnected. Beth was pleased with the mini-family reunion as other members shared dinner twice. There was a more intimate confab here and there that I respectfully avoided, exploring the pretty back yard leading to woods. Or I chatted with my sister-in-law. I came to better realize the depth of her weariness and bravery, even as we also shared a little laughter. Her deep eyes were hard with pain, softened by a good heart.

When Marc and I were closer to leaving, Beth asked me, “Are you going to visit your parents’ graves in Midland, your hometown? Tend to the sites?”

I shifted into startled silence. No, not on this charted course.

“Well, no, the plan is to continue on up north to Petoskey and Traverse City areas. I  guess I could have but…not this time.”

Beth was politely surprised. I said something reasonable about our schedule and conversation moved on. I felt a bit stung by my inability to say “yes” to her, but it vanished soon.

Such an act is considered a duty, a tradition for adult children yet it has rung empty for me. I have not visited my parents’ graves since my mother died ten years after my father. I may never do so. Because I believe in ongoing life beyond death, I don’t feel their presences in a greenly-pruned cemetery. Because I can sense their spirits in my dreams and daily living, I don’t have undue desire to talk to them at the spots where their bodies were buried. To leave flowers that will fade and die, too.

And the fact is, I have little interest in revisiting the small city where I spent my childhood and youth. It is an attractive, even privileged place but not so much a fuzzy embrace of warmth, security and joy as a series of chain links, of strife bound together with various sorts of love, unusual experiences. And many if not most of the links became weakened or rusted through. I admire its bounties and appreciate much of what was learned there. But all those I loved the truest do not live there, anymore. In my memory files of “hometown” it is like looking at colorful pictures but also seeing mysterious muted tones of shadowy negatives, primary scenes before the final images. I did have interesting adventures, some dangerous, others tattooed with sadness. And there are those that shine within, still. Peace enough has been made and I have written much about good times, far less of wounding ones. We all are wounded here and there, in this way or that.

So when I think of growing up, I often consider other places, including what downstate Michiganders call “Up North.” Marc and I–both grateful to have shared the time with his mother, brother and the others– took to the road again. We were seeking the destinations where we each found stability or rich happiness or inspiration long ago, and from which we continue to draw strength and peace.

Photos from along the drive north:

The undulating roads into northern Michigan are lonely as large cities are left behind, but lonely in a way both freeing and calming. Hills appeared here and there, at last. The speed limit is 70 mph so we zipped along straight then curvier highways and byways, past subtly rolling land steeped in shades of green, tan and brown, the trees tending more toward gold, orange and red mile by mile. This was what we’d hoped for: Michigan’s spectrum of autumnal colors. It was a more silent drive as we feasted our eyes.

It was early evening as we arrived at Bay View, once the summer home locale of Marc’s grandparents and, thus, his whole family. We had booked a room for one night in Stafford’s Bay View Inn, which is on the National Historical Register. All the buildings in Bay View, a community that requires membership, were constructed at the turn of the twentieth century and are Victorian. This lends a sense of being transported into that long ago time. The charm of the inn’s rooms was matched by the gentile, good humored spirit of the staff. Begun primarily as a Chautauqua community, Bay View residents did and still does devotedly champion the arts and greater education. But the star to me is the land with its waterscapes.

This was the backdrop of our northern childhoods, those pines, birches, maples, oaks, elms and poplars. The Great Lakes Huron and Michigan that flow into one another. They are so huge that when we were children we thought they were much like the ocean; the horizon above the deep, clear cobalt waters was so distant and magical we could barely imagine what was beyond it. We ran down to the rocky shore where Marc started his rock hunting in earnest; he soon found a couple of agates and beloved Petoskey stones. These unique stones are fossilized rock, made of rugose coral, from glacial times. They are named after an Ottawa Chief Pe-to-se-ga (Rising Sun); their fossil markings look a bit like small suns with rays spreading outward. We found a few to take back with us.

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East view of Little Traverse Bay, part of Lake Michigan

I breathed in the bright edge of a Lake Michigan wind, hair streaming, eyes watering. The powerful scent of fresh water and wet earth provoked a tingling shiver as I scanned and took it all in, hungering for beauty. The rhythm of waves excited and calmed me at once. This ancient canvas, no longer mirage or memory but real as could be–north country’s fresh water and big sky wonders, a swaying of great treetops by lake’s edge, a hardness of stones under feet–yet moved me.

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West view at sunset of Little Traverse Bay

The next day Marc and I wandered on foot about sunlit Bay View streets and found his grandmother’s house still kept yellow and white and crisscrossing tree branches even more generous and luminous: the stillness of streets caught in a spell of life and times long past yet gently present. Each house there is beautifully rendered in the style of those times. Now many appear to be year ’round homes, winterized for the brutal winters–not allowed when Marc’s family lived there only in summer. We visited the youth clubhouse and boat house where he swam and sailed his Sunfish each day, a treat he still recalls as thrilling. We saw the stark white chapel, though closed. He was brimming with memories. I was, too, from the summers we brought our boisterous five children. It is an idyllic place and it is his “home place”, the one that shaped and educated him in untold ways he was grateful to experience. Soon, I saw a profound ease imbue and cheer him, displacing tensions of his jam-packed work life. Later we also enjoyed shopping and eating (great coffee and tea, too) in charming downtown Petoskey, the city to which Bay View utilities/services are connected. We also visited nearby, more upscale Harbor Springs; I will share those pictures another blog post.

There are two shots, a front and side view, of my husband’s grandparents’ beloved yellow and white summer house, no longer in the family. The rest is a sampling of other homes, some more modest than others, all lovely and in great shape for over 100 years. The chapel and boat club gazebo are also shown.

 

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As we drove away, Marc said: “Next year if we can return, let’s stay two or three nights at the inn.”  I agreed. The first days of our trip had been nearly perfect. (I was ill one day with a chronic malady, so had to miss out on a fabulous Cessna Comanche plane ride. Marc got on board with his niece’s husband, the Comanche pilot.) Only two more days left before we had to fly back to Oregon. How could it get any better than this?

Next Wednesday I’ll take you to a North Country jewel, Traverse City, as well as tiny Interlochen where big things happen– and where my own history sent out deep roots. We’ll also visit wine and cherry country around Old Mission Peninsula and the attractive, touristy Leelenau Peninsula. We’ll find colorful trees galore! Those parts also welcomed us. I had nearly forgotten: Michigan, for all its blustery, sometimes rougher can-do attitude, is also open, friendly and gracious in a refreshing down-to-earth way.

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